TheGunsOnline.com News - Italian Guns n' Roses Site

 

 

 

 

 

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ecco la track list definitiva...

01 Let It Roll (02:31)
02 She Mine (03:25)
03 Get Out the Door (03:14)
04 She Builds Quick Machines (04:02)
05 The Last Fight (04:03)
06 Pills, Demons, Etc. (02:54)
07 American Man (03:56)
08 Mary Mary (04:34)
09 Just Sixteen (03:59)
10 Can't Get It Out Of My Head (03:58 ) *
11 For A Brother (03:26)
12 Spay (03:06)
13 Gravedancer (04:38 )

*cover dei Electric Light Orchestra

 

 

commenti alle canzoni da HTGTH

"Let It Roll"
"There’s a song called Let It Roll, which is the most aggressive on the record." - Slash

"There's a lot of really in-your-face moments like She Builds Quick Machines, Spay and Let It Roll, which is probably the most aggressive song on the record." - Slash


"She Builds Quick Machines"
"There's a lot of really in-your-face moments like She Builds Quick Machines, Spay and Let It Roll, which is probably the most aggressive song on the record." - Slash

"She Builds Quick Machines" is another aggressive one and I think that will be the first single." - Slash

The set kicks off with the gear-grinding single "She Builds Quick Machines," then follows a subtle motif of freedom (hence its rescheduled release date, one day before the Fourth Of July holiday) - Inside Bay Area

“It’s a great f*ckin’ rock song. It has a kick-ass guitar riff, a great chorus, a really big bridge and a great Slash solo.” - Duff


"Spay"
"There's a lot of really in-your-face moments like She Builds Quick Machines, Spay and Let It Roll, which is probably the most aggressive song on the record." - Slash

"Spay is pretty aggressive too." - Slash

Spay is a vitriolic punk number that attacks the Paris Hiltons of the world and Messages is a lush ballad sung from the perspective of a passenger on one of the hijacked 9/11 planes. - Q Magazine

"We have this other song (that is) like a straight-up punk-rock song, and it’s just so classic. (Singer) Scott (Weiland) did a great job with the vocals. It’s called “Spay,” like spay and neuter. I think it’s pretty much talkin’ about young Hollywood at this point and maybe what they should go do to themselves." - Duff


"Grave Dancers"
"There are mellower songs: This Fight (Could Be The Last Fight) – which I used the Gretsch [6120 Setzer model] on – and Grave Dancers, but that still has an aggressive blues solo at the end." - Slash

"There are departures, like Grave Dancers, but every song has its moments and even that has an aggressive blues solo at the end." - Slash


""This Fight (Could Be The Last Fight)""
"There are mellower songs: "This Fight (Could Be The Last Fight)" – which I used the Gretsch [6120 Setzer model] on – and Grave Dancers, but that still has an aggressive blues solo at the end." - Slash

"We just did a song, that Beatlesesque song. It’s called “The Last Fight.” - Duff

"But we also have – we just tracked a song that’s kind of almost … Beatlesesque – a really, really beautiful song." - Duff


"American Man"
"American Man" has a slow, melodic solo that’s very trademark Slash in the way it’s reminiscent of old stuff I’ve done in the past."


"Mary, Mary"
"Mary Mary" is a sexy love song inspired by "Little T & A" by the Stones. "Pills, Demons, Etc." - whose lyrics Weiland wrote after his brother’s death - erupts with furious beats as Weiland warns, "You got your demons and your wasted life/You could pull the trigger and you'd end the strife." - Rolling Stone


"Pills, Demons, Etc."
Though he's clean now, the effects of drugs still cast a shadow over the album - Weiland's brother Michael died of an overdose during its production, and one song, Pills, Demons, Etc, deals with the subject explicitly. - Q Magazine



"Get Out The Door"
"Of the 12 tracks on the new album, Get Out The Door has a feel-good dance groove." - Q Magazine

"We’re about to go in and track this song, it’s called “Get Out the Door.” … It’s kind of a straight-up rocker." - Duff

 

Altra probabile copertina

 

 

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Samples:

 

 

 

"Libertad, the second album from VELVET REVOLVER, is a polished, professional-sounding rock record with more than a few hooks and some tasty guitar licks courtesy of undeniably talented axemen Slash and Dave Kushner."